牡丹亭The Peony Pavilion: A Chinese Love Story From Beyond the GraveThis is the premier example of the Southern-style opera that was popular in the 17th century. This form of opera would feature a large cast and many scenes playing over several days. This type of production is hardly ever staged anymore but it was actually presented in 1999 at New York's Lincoln Center as a 20-hour, four-day extravaganza. The basic template for most Chinese plays involves a handsome, bright scholar who falls in love with a beautiful maiden. Trouble usually comes in in the form of parental disapproval, thus creating the conflict between the young lovers' Confucian obedience to their parents and their own irrepressible love for each other. Peony Pavilion adheres to this pattern but throws in a very unusual twist. The young maiden in the story, Bridal Du, falls in love with a scholar whom she's only met once in a dream and dies longing for him. But this is just the beginning. The scholar, Liu Mengmei, happens to be a real person and through sheer accident ends up staying in her town. Eventually, Liu meets Bridal's ghost, disinters her body, and she comes back to live. Other complications then arise. The play also includes a good dose of humor. The Lincoln Center presentation was preceded by an interesting spat between the American producers of the show and the Chinese government. After the Chinese government saw a few scenes during rehearsal, they impounded the costumes and sets and refused to let the actors travel to New York because they deemed the show to be "feudal, pornographic, and superstitious". The director of the show then recruited a new cast of Chinese actors and managed to put the show together in NY to great acclaim. Eventually, the Chinese staged their own production in China and Hong Kong to excellent reviews as well.
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