Modern Chinese Fiction since the 1980s: Economic Liberalization and its
Aftermath
China's economic liberalization that started of the 1980s would not be extended
into the political arena, as the 1989 events in Tiananmen Square would
make abundantly clear. The Tiananmen events themselves have not been
addressed (or, most likely, not been allowed to be addressed) by any any writer
living in China. However, novels that criticize lower-level government
bureaucrats have been published although have have been subsequently banned.
As China entered the new millennium, economic progress continued to be
made. A new spirit of entrepreneurship and the best and worst features of
market economies, including rising unemployment and
lack of social safety nets became facts of life.
The new make-a-quick- buck mentality,
conspicuous consumption in the big cities, and the unevenness of the
economic progress have given fodder to a new generation
of talented writers, such as Liu Heng and Mo Yan.
| |
Title |
Mini Review |
|
Chairman Mao Would Not Be Amused: Fiction from
Today's China
Edited by Howard Goldblatt
Grove Press, 1996
321 pages
|
An anthology of modern Chinese fiction written between
1985 and 1993. It was edited by Howard Goldblatt, who has done superb
translations of many contemporary Chinese novels, including some of the
writers featured in the anthology. Writers represented by this collection of
twenty stories include Mo Yan (Red Sorghum), Su Tong (Raise the Red
Lantern), and Wang Meng (former Minister of Culture). |
|
The Republic of Wine
Written by Mo Yan (1956-)
Translated by Howard Goldblatt
Arcade Publishing, 2001
384 pages
|
An amazing satire by the author of "Red Sorghum" in which he makes
fun of the Chinese obsession with food and wine, an obsession that is taken
to extremes even in a Communist-ruled
society. The story follows Ding Gou'er, a government inspector who
is sent to the fictional province of Liquorland
to investigate rumors of cannibalism. Soon enough, he is treated to a
feast full of alcohol and what appears to be a braised tender boy. But
under the influence of alcohol, he can't be sure whether he is eating the real
thing or an amazing imitation constructed of sausage, lotus roots, and other
vegetables.
|
|
Shifu, You'll Do Anything for a Laugh
Written by Mo Yan (1956-)
Translated by Howard Goldblatt
Arcade Publishing, 2003
212 pages
|
A collection of eight stories written over the past twenty years. The
title novella tells the story of old Ding, who has earned the honorific of
Shifu thanks to his 43 year
service to the factory. Nevertheless, he is laid off a month short
of retirement. Should he set himself on fire to protest? No,
he decides to turn entrepreneurial
and converts and old bus into a rental cottage for lovers. |
|
Big Breasts and Wide Hips
Written by Mo Yan (1956-)
Translated by Howard Goldblatt
Arcade Publishing, 2003
576 pages
|
Mo Yan summarizes twentieth century China through one woman.
Mother was born in 1900 and
married at seventeen. She has nine children, all but one girls.
Each of the seven chapters covers a different time period,
starting with the end of
the Qing dynasty, continuing with the Japanese invasion, the
civil war, the Cultural Revolution, and the post-Mao era.
|
|
The Garlic Ballads
Written by Mo Yan (1956-)
Translated by Howard Goldblatt
Penguin USA, 1996
|
This novel by the author of "Red Sorghum" is set in 1980s rural China. Garlic
farmers have a bumper crop that turns into a disaster because there is a glut
in the market. The ensuing riot and sacking of the local government office
becomes the backdrop for three intertwined stories of love, family, and
loyalty.
|
|
Turbulence
Written by Jia Pingwa
Translated by Howard Goldblatt
Grove Press, 2003
464 pages
|
First published in 1987, the novel was awarded the 1991
Pegasus Prize for Literature. The story is set in a rural village in
the 1980s, soon after Deng Xiaoping started the market liberalization
era. Golden Dog, an idealistic journalist fights corrupt officials and
family clans but in the process loses self-respect and the girl he loves. The
novel is a combination love story and political parable. |
|